So, they decide to fulfill it by sacrificing the rooster ‘paapa’ to god. One fine day, the entire family feel terrified when they realize that a nerthikadan which they promised three years ago to god has been pending and that’s the prime reason behind all the bad happenings. We have an English-speaking kid (Saravanan, but call him SHRAVAN) who has come from abroad, a son who is still dependent on agriculture and of course, a romance track. Then, we get to experience each and every character in the house with natural occurrences that happen in their day-to-day lives. An entire family gathers together for ‘kovil thiruvizha’ in their ancestral village as per the desire of its paternal head (Nassar). But, Vijay busts your anxiety and apprehensions through an uplifting story that unfolds later on. In fact, the introductory note is bound to make you feel fairly agitated if you are a non-vegetarian. This should feel like placing a boulder on your shoulders, if you are not a kind who would advocate preachification in a cinema hall. Vijay has given a new dimension for the word ‘compassion’ in this family-drama, which makes you tug at your heartstrings.īefore the film starts, Vijay warns us with an introductory note saying he dedicates this film to those who promote vegetarianism and those who raise their voices against animal sacrifice. Instead, he has let his script play ‘hero’ in this beautiful, heart-warming and a wholly gladsome film. Produced by : AL Algappan for Think Big Studiosĭistribution : Udhayanidhi Stalin’s Red Giant MoviesĪfter working with the leading heroes in Tamil cinema including Ajith, Vijay and Vikram, Director Vijay has truly arrived only now with a film sans any ‘hero’. Verdict: Watchable typical Hari-formula emotional action dramaĬast : Naasar, Sara Arjun, Suresh, Baasha, Twara Desai, Shanmugarajan & many others. But it feels like Hari loses the grip post interval a bit and the film plods in the second half, with misplaced song sequences and repetitive action blocks.Īll said and done, Poojai is still a watchable entertainer to spend time on, with your family on a festive day. However, once the main story gets going, all is forgotten and the director takes us through a roller coaster in the first half.
#MASSU ENGIRA MASILAMANI TORRENT TORRENT#
At the same time, the stunt choreographer must be appreciated for his work in the pre-interval action block.Īs for the noticeable minuses, the film has a torrent of juvenility in terms of scene design, particularly the intro sequences of the central characters. Like in all Hari movies, cinematographer Priyan and editors VT Vijayan and TS Jai have delivered rapid visuals, which at certain stunt sequences don’t present us opportunities to question about its implausible nature. Yuvan is functional in the background music and songs.
Though forced, the comedy sequences do work decently, thanks to Soori, Pandi and Imman Annachi’s comic senses and timings. Satyaraj, Radikaa Sarath Kumar, Prathap Pothen, Thalaivasal Vijay, Jayaprakash, Kousalya and Sithara bring experience to the table. Shruti Haasan, as Vishal’s love interest, plays a good-natured, jaunty girl next door and also oozes with glamour in the song sequences. Vishal brings in his macho image back and his energetic performance, tough looks and subtle expressions are the biggest strengths of the movie. The misconceptions, coincidences and the consequences make Poojai. Poojai is a story of Vasu (Vishal), who accidentally comes in the way of a contract killer Anna Thandavam, well played by Mukesh Tiwari. Poojai has it all and this time Vishal, after experimenting a tad with his performances in his last two outings, has come out with an out and out commercial action movie, just to treat his hardcore fan base, this Deepavali. Loud and fierce men, flying SUVs and shimmering billhooks are a package that comes with all the movies of Hari and he himself has always been confirming that this is indeed his style. appears in 4-5 scenes only.Ĭast: Jayaprakash, Radhika, Sathyaraj, Shruti Haasan, Soori, Vishal
Samuthrakani - prefect for villain character. pranitha - appears in flash backs and holds her character tightly.
Venkat prabhu gave a massive of the year. Praveen Kl - (50th film) superb editing. gave different angles for horror,comedy and fights scenes rajasekar - (25th film) super job good cinematography. Yuvan shankar raja superb background score. #maasu_engira_masilamani (aka) #masss (aka) #massu review:
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